What stuck with me was the camera's insistence on looking at the flowers while all the violence is happening in the background. This gesture of the camera is a manifestation of the film's hypothesis on catastrophic phenomena. It exists regardless of the psychology of the characters and it has something to say about the universe. Ideology strives to function, but of course, over time the worldview fails to stand up, as the pathetic morality of the designed universe collapses and leaks are shown in the most shocking way in Glazer's film. The film literally wears the ideology; it is the ideological gaze itself upon the daily life of the family. It gets tense, just like our own ideological lives, when the reality out there leaks through the ceiling and walls full of ideas and presuppositions.